first release on sun cat recordings / ancient sound from outer space is by italian obscure electronic producer named healing force project, that means freedom of the soul. inspired by space jazz and experimental techno, antonio marini reconnects distant horizons until the sky falls away, sonorizing the last ancient astronaut landing on earth in five hypnotic tracks. mastered by andrea merlini and illustrated by fernanda veron, *last journey to heliopolis ep* pictures early dawns and aching nights, combining different analog and digital elements. a cosmic trip without return only makes sense if has no stops or boundaries.

unified by dubs loose sense of space and deep sub-frequencies, chllngrs unique amalgam of soul, pop, stripped-down beats, and decaying atmospheres has earned the copenhagen-based artist, steven jess borth ii, adulation from press and peers alike.

our man kardinal from france does it again and supplies us with no less than three new fat techno tracks for the peak time freak out! with his own style he has without a doubt a fine hand for great and exciting techno tunes! we love and release on vinyl!

there are few names in dance music today which need less of an introduction than masters at work. the ground-breaking project of louie vega and kenny dope, masters at work forged a reputation for genre eschewing dj sets and flawless house production throughout their extraordinary careers, while their influence and reach changed house forever.

for more than ten years soul jazz records have been exploring and documenting the sound of new orleans funk. now we turn their attention to the flipside of this musical coin - new orleans soul. these two musical forms share a lineage that begins with the citys enormous rhythm and blues explosion in the post-war 1940s and 1950s. new orleans soul incorporated the soulful vocals of the gospel church, the driving beat of rhythm and blues, as well as traces of the second-line parade bands and the latinized rhythms of the city. this album tells the story of new orleans soul and comes complete with extensive sleevenotes, exclusive photography, supreme sound quality and comes as super-heavy, super-loud limited-edition double vinyl album + download code.

indeed, everything is permissible if god does not exist, and man is consequently abandoned, for he cannot find anything to rely on - neither within nor without. first, he finds there are no excuses. for if it is true that existence precedes essence, we can never explain our actions by reference to a given and immutable human nature. in other words, there is no determinism - man is free, man is freedom. if, however, god does not exist, we will encounter no values or orders that can legitimize our conduct. thus, we have neither behind us, nor before us, in the luminous realm of values, any means of justification or excuse. we are left alone and without excuse. that is what i mean when i say that man is condemned to be free: condemned, because he did not create himself, yet nonetheless free, because once cast in to the world, he is responsible for everything he does.

solo works from the front man of legendary soul/funk outfit slave. includes rare and unreleased funky jams from the emotionally funky man who changed the sound of the genre forever.

some believe music developed as a way to bring early humans together into a close-knit community, and this collection of songs is a perfect example of that theory at work. beautiful vocals from lindsey flowers, an oklahoman ospovat met tokyo. killer sax blown in portland, oregon by noah bernstein, an exceptionally talented friend of ospovat s brother. a driving remix by pablo bolivar in barcelona, without whose generous advice this project would still be a work in progress. a mesmerizing remix by canadian label partner, fellow deadhead, and sound manipulator extraordinaire craig oldring (c_olvrin). and the words of david moufang, who speaks with conviction in *movin to the d* – *…music has a lot to do with communication … working with other people is really essential.* we couldnt agree more.

a medley deeply immersed in sterling, late night, unconscious harmony.

redinhos always been different. debuting on numbers in 2010, his bare blips ep showcased an artist with no desire to fit into the landscape of the time

kazak sees swaab return to wrong state, presenting one of his most direct and intense workouts to date, following recent releases on voltaire music, push-push, jesus was black and recovery tech. grunting bass drives along one of his typically stomping grooves, metallic atonal synths giving the track an icy cool. subtle dashes of infectious percussion increase the tracks energy, with a big atmospheric break allowing some hypnotic fx to take centre stage. it is a heady, dark ride that carries a lot of weight without ever overbearing.

walking through the sky, five years ago christian naujoks, peter m. kersten and richard von der schulenburg started a series of spontaneous recording sessions without any intention or idea. the only thing what held the group together were the immediate results hitting the three musicians straight inside their hearts. jazz as a metaphor of instrumental conversation, improvisation in the most dillettant way, science as a matter of exploring the opposite sound of what instruments were built to, these might be parts of a concept where there was none.

while industrial and ebm seem to be words buzzing around the media today, not too many artists associated with these words seem to be truly delivering. tzusing, who resides in shanghai has been a student of the game through the years, and has strived to execute his take on these sounds and does so with shining results. this four track ep is a testament to him transforming the metal beat into a sound of his own and running wild without limits. dont miss this!

morphine continue to take us there, this time iranian producer, sote, with a full album. studies in techno patterns and aesthetics from a maximalist musical perspective without employing orthodox beats.

half speed mastered 180 gram vinyl + free album download code.
caribou aka dan snaith aka daphni forms a mixture of digital pop production, hip hop inspired beats, muted house basslines and a love of shuffling garage.

side a: palace of change. written in 2011 this one is from the vaults, it came at a time when i wanted change in my music to break away from being diamond eye and move to a more upbeat and uplifting sound, while retaining my signature spiritual and thoughtful approach to music. side b: auf deutsch. an out there rhythm structure that encompasses the half time approach to techno, a contrast to the a side, this has a more lean back and shoulder movement groove, suitable for either side, but can t have light without shadow.

the cryovac machine is repaired and ready for service again. its components are tightened and aligned on course for another round of sonic manipulation. the path is always defined by the times that are endured and the moments of clarity that move production forward. cryovac is a machine that preserves a time and space into physical form. the objective is to move as one and speak in vibration of an existence that continually changes. the people of cryovac are a like-minded band of artists with strong integrity and vision for the soul of techno. their character is imprinted on the sound they make and each viewpoint is a unique direction. corbin davis inhabits a lonesome steady grind that moves without reason or reluctance shaping an environment. keith kemp is a seasoned operator versed in the sultry funk of a sophisticated pimp mind-set. annie hall has traveled the world gathering the correct frequencies to design deep and serious minimalism. a. garcia is dirty and simple, ready to turn the atmosphere to child-like warmth. these artists are the components that form a machine and also a team, focused on producing a brand that stands the test of time.

die doppel-lp erscheint als limitierte 180g pressung mit 19 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, inkl. 30x30cm kunstdruck, im gatefold mit antistatischen innentaschen.

mr assister - more commonly known as the drummer that james blake sings for - unleashes his debut double b-side release on 1-800-dinosaur, the london based label and club-night of which he is a founding member. the seismic lead track bala has received rapturous feedback from the likes of jamie xx, jd twitch, martyn, gilles peterson & pearson sound etc and was made on a laptop in mr as kitchen without much knowledge of the software he was using at the time. prior to bala he came up with the deeper, headier house workout reggae drums on the tour bus, using samples of drums from reggae songs.

to accompany the release of especial s compilation mix cd, -eleccio- - offering of a snapshot of the first 9 eps on the label - a limited edition sampler ep is being released featuring 4 unreleased remixes from the label s roster to date. ever since the first white labels appeared at the end of summer 2013, emotional especial has had a busy release schedule, putting out music that are a slightly warped take on club music. mixing the influences of dub, electro, disco, proto-house, house and techno, a feeling, a sound, a vibe has appeared without any preordained plan. with the release of ees10cd - a dj meets studio compilation mix created by label mainstay and handyman, jamie paton - to mark the end of first series of the label, it was decided to included a couple of specal unreleased remixes to add a bit of new with the old in the mix. to that end this limited edition vinyl sampler was created to include the two remixes, plus the inclusion of another two gems that simply needed to see the light of day. first is the alternative -member- remix of inhalt by black merlin - a strings meets leather bar club-dub-out that takes things deeper and darker than before. this is followed by jamie delivering his own take of khidja s massive mustafa, with a warped, swamped out dub. next is another mix from cage & aviary of their pals, blancemange. brooding low-slung rerub dub anyone? finally there is a very special remix by khidja of the ganges orchestra. reissued on emotional rescue in 2013, this special remix takes the vocal mantra of the original and creates a balearic-raga tale that perfectly rounds off especial to date.

stunningly beautiful double-pack from och for autoreply music s 20th release. following on from output on renowned labels like pal sl, trelik, bass culture he returns to autoreply with seven tracks of playable perfection. by focusing on stripped-back percussive grooves, sparse 909 drum-programming and ultra fine-tuned dynamics he certainly proves with tracks -samarkand sulci- and -snarecrow- that the original jackin house/techno sound will always have plenty of life and soul. -don t fight it- is an 8.5 minute acid builder featuring haunting vocals and crisp synths whilst the bass driven dub of -enceladus- wouldn t be complete without live delays and distorted pianos. check out -morning glory- for a surprise contender for this years balearic soundtrack or -c ring- for ultimate warmth. tracks for every situation and not to be missed!

great acid house trackd to kick the floor

brand new label dusty donuts delivers two remixed soul stompers courtesy of londons jim sharp. side a sees betty wrights classic *clean up woman* get treated with a healthy dose of brooklyn flavour, moving the tempo up without losing the original classic feel. side b is a horned up, funked up retake of blue boys sampling of marlena shaws *woman of the ghetto* with a hip hop feel.

brand new and good for you.. super rhythm trax return to the original acid house blueprint of the mid/late 80 s , updateing it with fresh ideas yet maintaining the intergrity and super atmosphere of those early and exciting times. first up in a slew of releases, is mike ash. a seasoned veteran who boasts many early 90 s appearances on legendary labels such as moving shadow, rising high & sapho under alias including interface, mashed, audio assault and space cadet . more recently, ash has been affirming his standing releasing quality acid and electro tracks and even an album on bass agenda records. this is pure party rocking acid house music with second to none arrangement and a nod to the past without drowning in old cliches. look out for this label cos there s lots more coming!

the german dj & producer patrick zigon is back – with his label biotop, and with his first vinyl release after 2 years. located at the beautiful lake constance area in southern germany, patrick zigon builds with his label a biotope for friendly artists, which is focused on experimental and open-minded electronic music. after the first digital releases, biotop drops the first vinyl on the market. patrick zigons *ich see* was released on biotops alive compilation, and is without doubt one of the brightest moments in the young label-history.

fifty fathoms deep follow up swiftly here from frederick s critically acclaimed debut album disruptive pattern material which gained major support from jimpster, osunlade, rainer trüby, the revenge & ajtazz amongst others. whilst craig smith & peter oakden celebrate their labels heavily supported first year, they bring you here release number five. an exquisite four track ep from the briskly emerging nyak. without question nyak keeps this ever delivering imprints momentum going with four superb cuts of low slung, underground jams. full of soul, rawness and summer fun

roman flügel takes us by the hand and through ten tracks that sometimes feel like songs without a voice

john tejada does not really need any introduction - he is simply a phenomenon. starting with his first releases in the mid nineties, he has been constantly expanding on his massive catalogue of singles, remixes and albums released on well known us and european techno, house and electronic music labels and there seems to be no end in sight. in addition to his output on prestigious labels such as playhouse, plug research, defocus, moods and grooves, 7th city, kompakt, and others he has also been running his own palette recordings imprint since 1996. john tejada s ep for slices of life make reference to his earlier releases that were beloved by dj s for their driving energy and an occasional wink of humor. the three tracks on -times like this- combine a musical glance back to earlier times, while showcasing tejada s high level production skills of today: a slice from the past without being nostalgic

fred p immerses himself further into his techno alter ego, bringing more depth and insight to the saga, using sound to transcend time and space. *serinatatis* starts off the proceedings with a relentless drive and lofty pulsating pads that give you the feeling of a dismal oasis, with its brooding bassline and obscure vocals penetrating the construct. *dark population* takes us further down the rabbit hole into deeper rhythmic vibrations. this hypnotic ceremonial floor shaker echoes the cerebral ethos of the ep. last, but not least, *convective zone* cracks the sky and lets the sun shine in with its rolling baseline and ethereal chord structure. homage to the term techno soul is paid in full here as a trumpet blares through without losing the depth of the moment.

if movin on is witchs rumours then kuomboka is their tusk. a remarkable follow-up to a timeless album that shows the band taking greater risks in songwriting and playfully experimenting with production techniques.

nobody can deny the fact that vilnius in lithuania is currently a very creative and agile place. first and foremost mario basanov of course, whose ten walls moniker swept the board last year and whose hype seems to have only just started. his popularity was heightened by the start of his own label boso. it took off with the highly praised -walking with elephants-, which was already one of the biggest tunes of this summer, before it even came out. the second release is by few nolder, another highly talented native from vilnius, who showed frst signs of life on connaisseur with his lovely tune -space espace- on our last edition of livingroom techno as well as with his remix for -canto d amore- by marco effe & francesco carone. -clouds- is the name of his boso release, and it looks to be the next big thing for this young label. for his frst own release on connaisseur he delivered -if-.the fact that it is different from his other output is why we have decided to present this tune in two versions as a 10- vinyl-only single. the original is a summerish and catchy house cut with a bouncy bassline and a slightly uk-approach.this tune makes you move without there being much you can do about it. the alt version goes deeper, building up with a question/answer theme until a strong, driving piano element joins to complete the track. lovers of older pokerflat releases will truly enjoy this version.

brilliant! classic chilean influenced stuff with a splendid touch of international atmosphere. with two weightless pieces of music which seem to be suptle at the same time, un_node shows, that one or another movement has still its reason to exist in our young electronic history. both pieces remember of the classic south american house and connect this to dynamic aesthetics sounds. finally, this music with international character scintillates without any exaggeration and is thereby unmistakable.

otis clay gehört neben al green und ann peebles zu den federführenden künstlern des amerikanischen soul-labels hi records. das album -i can t take it- war lange vergriffen und wird hiermit für den deutschen markt in einer exklusiven auflage von 200 stück in farbigen vinyl (180g) neu aufgelegt. otis clay war neunmal für den grammy als bester r&b-sänger nominiert und gilt international bei soul und blues-fans als außergewöhnlicher sänger.

its hard to think of dutch wonderboy franky rizardo without inmediately associating it with his massive contributions to the defected catalogue or his broad spectrum of mainroom hits including collaborations and remixes work for some of the most important names in the game. this time he proves his versatil nature by submerging himself into a more underground vibe, the type we learned to love so much at off headquarters. we didn t take long to decide once we heard what he had in store for us, the tracks were loud, sexy and intense.

this is for those with hard heads, black lungs, and scarred hearts. it is for the dreamers who construct darts on loose-leaf and those revolting against corporate life and casual fridays. it is castles return of the gasface, released on mello music group, remixed by has-lo with a new track and revamped verses. the new record tilts at a different angle, but the beats still bludgeon without sacrificing soul. the raps are rugged yet introspective. the north carolina natives voice is grizzled and shot through with the fatigue that comes from late nights, cigarettes and coffee. has-los beats coax a deeper melancholy out of castles hymns.

its safe to say that without vito & druzzi, we wouldn’t be here today. indeed, along with the other members of the rapture (ever heard of them?) and james friedman, they founded throne of blood. our histories go hand in hand. after releasing classic albums on labels like sub pop, dfa, vertigo, and motown- and spending more than a decade touring the world with lcd soundystem, soulwax, the cure, interpol, and franz ferdinand to name a few- vito & druzzi have spent the last few years shifting their focus towards djing and production, building a studio in brooklyn and churning out the jams. its been a labor a love and were very happy to present you with the first fruits of their collaboration

friendship has always been one of the biggest gifts in my life. and everybody should have at least one true friend - and should be happy with this. this gift is one of the most precious - without a price tag. so if you didnt speak to your real friend or friends for a while - why dont you just take your phone and call him or her and say how important this friendship is to you?

a lot of macadam mambo’s records are coming in the same time those days, but we didn’t wanted to pass the summer without this new 12” of fresh edits. here is a selection of 3 warm/happy/sunshine disco, latino, and electrofunk tracks. as far as we can know, obscure and hard to find stuff, selected by sacha mambo (honcho at macadam mambo) and keeto (honcho at les disques superfriends) and edited by sacha mambo. this project started last winter after a gig at telephone rose in annecy (alpes), this is the 1st part of a special collaboration between keeto and sacha, a 2nd “les disques superfriends” ep is schedule for next winter. but for now, this record is the one you really need to bring joy and happiness everywhere, playable night and day

praktischer rahmen um deine vinyls optimal zu präsentieren (vinyl auf dem bild gehört nicht zum lieferumfang) useful frame for your favorite vinyls (only the frame, without the vinyl)

as part of bini & martini, paolo was without doubt one of the most prolific house producers at the turn of the century, touring the globe and lending their remix talents to major dance labels like defected,strictly rhythm, am:pm, emi, universal, sony and many of the worlds biggest pop acts such jamiroquai, kylie minogue, terence trent d arby, murk,armand van helden and many many more. in 2009 paolo teamed up with paul c and the pair have worked tirelessly in the studio and their music has been supported by many of the industrys biggest names.

180 gramm doppel-vinyl im klappcover, downloadcode und booklet inklusive.
-hard believer- wurde in 17 tagen im legendären sound factory studio in hollywood aufgenommen, erneut in zusammenarbeit mit produzent billy bush (garbage, beck, foster the people). urban, bluesy und lebendig ist das album eine meisterhafte sammlung von songs eines künstlers auf dem gipfel seiner kreativen energie. -we wanted to go deeper this time, and be more ambitious with the music to move the sound forward without losing touch of where we’re from.- (fin greenall) nachdem fink von ninja tune unter vertrag genommen wurde, sich vom gefragten club dj und electronic-produzenten zum songschreiber für acts wie amy winehouse, john legend oder professor green mauserte, bestieg er selbst die bühnen dieser welt mit seinen bandkollegen guy whittaker und tim thornton um seine eigenen songs zu spielen und verbuchte für seine live-qualitäten, als auch seine ersten vier studioalben, allseits das lob der kritiker und fans. sein neues album -hard believer- erscheint auf greenalls frisch gegründetem label r coup d in zusammenarbeit mit ninja tune. fink sind fin greenall (vocals/guitar) zusammen mit tim thornton (drums/guitar) und guy whittaker (bass).

brutkho strikes back on goldmin music with his very first vinyl release incl. remixes from deepa & biri, jan hendez. a very personal and deeply touching deep-techno record that plays with the unexpected without losing sight of the essential simplicity this kind of music needs.

it seems like no part of the world has evaded discos ubiquitous inuence, including the caribbean. the caribbean in the late 70s and early 80s was a hotbed of musical activity and this compilation focuses on the best disco-inuenced tracks from trinidad and tobago, jamaica, and the bahamas. all of the tracks here were ocially licensed and reissued for the first time ever. highlights of the 13 tracks included on this compilation are: the under-the-radar cosmic disco tune -got to have you- by joanne wilson, a rare p&p records-inuenced track -dance with me- by odessey one, the icy cool synth-trenched -living on a string- by wild fire, the incredible dance oor-friendly -instant funk- by merchant, and the disco reggae cover of -rapper s delight- by prince blackman. this compilation was compiled and researched by deano sounds and includes edits by al kent, the whiskey barons, and waxist selecta.

sol asylum is back with their third release, this time around a various artist ep featuring tracks from friends and family members dana ruh, miss jools, and patrice meiner. this solid collection delivers a heavily swung slice of style and class without ever losing its straightforward dance floor attitude. the ep gets a proper start with dana ruhs >overcome<.a modern take on forward thinking house music with a cleverly swinging groove, pulsating filtered synths and provocatively soul stirring voices. all the rhythmical elements mold and evolve the track into a vibrant and energetic gem. next stop on our journey brings us to patrice meiners >uva< a broken beat dedication to his mother with fiery snares, atmospherically floating ghost like synths, intricately pitched hi-hat patterns and a tightly woven groove that is the signature sound weve all come to know and love from him. last but certainly not least is our trusted resident of sol asylum miss jools with >calamity cloud<. mysterious voices speak to us with an infinite realm of hovering synths, a playful but complex groove, driving hats, then a finely crafted layout brings us to alternate states between light and darkness creating a perfect balance that reminds us of a cloudy berlin day.

good old aunt frieda likes it colorful, that’s pretty known in all parts of the world since the birth of frieda musik. and even our new children of the family are the same kind of colorful: frivolous is painting in all different colors without wasting any paint. his two originals are pushing with forward-thinking rhythms without forgetting how to get his audience into dreaming through his golden voice and his playful melodies. a very special schmankerl is his lullaby. a little more precise and determined comes dirty doering and sascha cawa’s upside down remix of “for the message” within this package. and not to forget there’s a digital bonus by our boys san marco & don ramon, who tell us: don’t stop mumble, if you wanna get this kind of (zurich)-groove. in our opinion: a perfect ep for endless summer nights.

vinyl only, 180 grm , 12 inch in plastic sleeve. dj support: slackk, murlo, dj q, oil gang, inkke, mixpak...
* keep calling*, this eps title track, is one of the key anthems at leading grime clubnight boxed (finn contributed to their boxed vol. 1 compilation), and comes backed with the high octane * dangerous* and the gorgeous * only boy*. like blackjack, low deep and iron soul before him, finn is combining r n b and grime without ever resorting to cliché, and the results are killer.

kosme compares his art to sailing, wandering from one island to the next in an incessant and utopian pursuit of sonic truth. like all explorers with merit, his voyage is driven by more than mere travel, it is driven by the simple pleasure of discovery. the encounters along the way have shaped and will continue to him and his art. it has become imperative to keep a log of these changes. cosmic ad is the logbook, an honest self portrayal of his musical evolution, without fabrication or pretense. too often electronic music is subjected to the damaging opinions of others and categorized in a movement or a trend, choking the freshness out of the sound. cosmic ad provides the platform for him to present his music to the public the way he wants to, when he wants to, his artistic adventure is out there for all who want to witness. a concise account of his creative energy, a unique platform for a unique artist who searches nothing except discovering new landscapes and inspiration.

last year city fly unearthed a raw diamond in the form of russias alexander lay-far aka lay-far with his perfect world track being the choice cut on city flys visions volume 2 ep - its dream-like harmony, yearning female tones and warm bass culminating in a transcendent production.

ole utters *odsbodkins!* while martin styles his hair. the two decided to work on their next monaberry releases five years ago and the result is monaberry 23. 23? this can only be a good sign, dont you think? *odsbdodkins* confirms its name without wasting a second and going directly for your finest dancemoves. a groovey guitar firework is ignited which illuminates the dark temple of dance. no other but the boys from hanne & lore have taken on the hard task to deliver a remix of the title track. they do not disappoint with their rework which makes you lose it on the dancefloor. *frdy* and *indimushy* come as desert. these two tracks get into your head fast and refuse to leave it ... *frdy* is the perfect dancefloortool, which leaves not a single wish unsatisfied, while *indimishy* keeps the whole ep together, not allowing for any sound to drift away.